Flash back to 1975, when Jaws blasted into cinemas and rewrote the rulebook as Hollywood’s very first true “summer blockbuster.” Star Wars would prove the phenomenon two years later, but it was Jaws that taught studios how to create anticipation, fill every seat and sell endless merchandise.

Wes Anderson’s latest feature, The Phoenician Scheme, is another finely tuned entry in his ever-expanding cinematic universe – dense with visual precision, loaded with eccentric characters, and unmistakably his from the very first frame.

Pamela Anderson delivers a quietly powerful performance as Shelly, a veteran Las Vegas showgirl confronting the final curtain call on her glittering career. Once the dazzling face of Le Razzle Dazzle for nearly 40 years, Shelly (Anderson) is blindsided when her long–running revue is forced to close.

The new biopic of Richard Burton charts the remarkable journey of a young Welsh schoolboy, born Richard Jenkins, who blossoms into one of Hollywood’s most magnetic stars.