Lonely and lovestruck, Agnes (Lowe) chases the object of her centuries-spanning obsession, a tale as charmingly oddball as it is delightful.

One to One: John & Yoko offers an intimate and unexpected glimpse into John Lennon's world, with much of the film's humour seemingly unplanned.

Mike Leigh and Marianne Jean-Baptiste are back, and we couldn't be more happy.

When you think of addiction in Scottish cinema, classics like Trainspotting (1996) come to mind. The Outrun, Nora Fingscheidt’s adaptation of Amy Liptrot’s memoir, approaches the subject in a gentler, more reflective way.

Years after their initial encounter, Lydia Deetz (Winona Ryder) once again joins forces with the mischievous demon Betelgeuse (Michael Keaton) to rescue her daughter, Astrid (Jenna Ortega).

The 2024 remake of Speak No Evil, starring James McAvoy, aims to recapture the psychological horror that made the 2022 Danish film a success.

As a teenager, watching Gregory's Girl can be a rollercoaster of emotions. It perfectly captures the vulnerability, awkwardness, and hopelessness that define those tumultuous years. But beyond that, it shatters any illusion that your experience is unique or special. Set in Cumbernauld, Scotland – where the accents were famously dubbed for American audiences – Bill Forsyth's masterpiece is a beautiful blend of romantic yearning and football strategy.

Greek filmmaker Yorgos Lanthimos returns with his ninth feature, "Kinds of Kindness," a quirky and slightly disturbing triptych set in modern New Orleans. Collaborating for the third time with Emma Stone, Lanthimos ditches the period trappings of "The Favourite" and the steampunk aesthetics of "Poor Things" for a more stripped-down approach.

"Cop Land" delivers a gripping story that’s perfect for a movie night. This film features Sylvester Stallone in a terrific and heartfelt role as Freddy Heflin, a local sheriff in Garrison, New Jersey. Freddy has always wanted to be a cop, but his partial deafness has limited him to his current position. Despite this, his integrity stands in stark contrast to some of the very cops he looks up to.

Ghostbusters finds itself in a difficult position, hovering between realms of success and stagnation. The franchise's journey has been nothing short of a rollercoaster, from the comedic horror of its 1984 inception to various attempts at rejuvenation, including a gender-swapped reboot that struggled to find its audience.

In 1920s England, the quaint town of Littlehampton is rattled by a series of venomous anonymous letters, sparking a feud between two contrasting neighbours: the prim and proper Edith Swan (played by Olivia Colman) and the spirited newcomer Rose Gooding (Jessie Buckley).

Jacob Elordi and Cailee Spaeny take the lead in Sofia Coppola’s biopic of ‘Priscilla’, which offers an intimate and authentic portrayal of Priscilla Presley's life . . .

British stockbroker Nicholas Winton (Anthony Hopkins) reflects on his daring plan, decades earlier to rescue children from Nazi-occupied Czechoslovakia before the onset of World War II.

Writer Adam (played by Andrew Scott) revisits his childhood home and encounters his deceased parents who are seemingly alive.

In a reimagined Victorian Glasgow, Dr. Godwin Baxter (Willem Dafoe) conducts a daring experiment, implanting a baby's brain into a corpse, resulting in Bella (Emma Stone). Bella navigates affection from Max McCandles (Ramy Youssef) and Duncan Wedderburn (Mark Ruffalo).

In the wintry setting of a prestigious boarding school in the early 1970s . . . ‘The Holdovers’ brings together the unlikely pair of rebellious student Angus and the loathed classics teacher Mr. Hunham for an unexpected Christmas stay . . .

Emerald Fennell, known for her brilliant debut feature – Promising Young Woman, takes aim at class, social mobility, and the super-rich in her latest project, Saltburn. This satirical thriller introduces us to Oliver Quick, played by Barry Keoghan, a working-class scholar from Merseyside entering the elitist world of Oxford University . . .

Thomas Babington is drawn into a dangerous game of smuggling diamonds and hunting a former SS dentist named Szell, after his secret agent brother is murdered before his eyes . . .

After his master dies, gardener Chauncey Gardiner (played by the wonderful Peter Sellers), is left to fend for himself . . .

Charlie (Brendan Fraser) is an incredibly reclusive, extremely fat teacher, struggling to connect with his students through video-calls, while dealing with a past trauma. When his friend and nurse Liz tells him his health is rapidly deteriorating, he attempts to strike up a relationship with his estranged teenage daughter . . .